Red Carpets and Other Banana Skins, by Rupert Everett (New York: Warner Books; 2006), 406 pages. ISBN : 978-0-446-57963-6.
Rupert Everett's autobiography is his account of his life from infancy through 2006. Naturally, it covers his school days through his professional acting/singing/modeling career, its various ups and downs, good years and bad years, feasts and famines. Most notable are Everett's accounts of his life's loves. Acquaintances are also mentioned and discussed with particular emphasis on how they affected his life at that time.
Rarely do writers receive criticism for failing to disclose information and facts; however this is a rare example of a book where the author goes to far in his enthusiastic disclosure of his and his friend's and acquaintance's concerns. Everett is enthusiastically indiscreet; he gives us too much information on matters that should be personal, private, or left unsaid. This, of course, is deliberate. Nothing attracts publicity and book sales like the disclosure of scandalous indiscretions.
Who would benefit from reading this book? Very few people, except collectors of trivia about semi famous and famous actors and their friends. Everett's acting skill is perhaps equalled by his ability to befriend famous and notable people. Two useful lessons of this book is how success often depends on winning a patron, and that life as an actor can quickly move from feast to famine. The greatest limitation of this book is its cursory dealing with serious matters, in particular, his apparent lack difficulty in simultaneously being both a practicing catholic and practicing homosexual. His reflections on this rationalization would make for much more interesting reading than a recollection of the latest party at Roddy McDowall's house. But I suppose its the latter that sells books.
Rupert Everett's autobiography is his account of his life from infancy through 2006. Naturally, it covers his school days through his professional acting/singing/modeling career, its various ups and downs, good years and bad years, feasts and famines. Most notable are Everett's accounts of his life's loves. Acquaintances are also mentioned and discussed with particular emphasis on how they affected his life at that time.
Rarely do writers receive criticism for failing to disclose information and facts; however this is a rare example of a book where the author goes to far in his enthusiastic disclosure of his and his friend's and acquaintance's concerns. Everett is enthusiastically indiscreet; he gives us too much information on matters that should be personal, private, or left unsaid. This, of course, is deliberate. Nothing attracts publicity and book sales like the disclosure of scandalous indiscretions.
Who would benefit from reading this book? Very few people, except collectors of trivia about semi famous and famous actors and their friends. Everett's acting skill is perhaps equalled by his ability to befriend famous and notable people. Two useful lessons of this book is how success often depends on winning a patron, and that life as an actor can quickly move from feast to famine. The greatest limitation of this book is its cursory dealing with serious matters, in particular, his apparent lack difficulty in simultaneously being both a practicing catholic and practicing homosexual. His reflections on this rationalization would make for much more interesting reading than a recollection of the latest party at Roddy McDowall's house. But I suppose its the latter that sells books.
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