Paris to the Moon by Adam Gopnik

Adam Gopnik, Paris to the Moon, New York: Random House; 2000), 338 pages

In 1995, writer for The New Yorker Adam Gopnik moved form New York to Paris. While in Paris, he continued to write for The New Yorker, principally about Parisian life. This book is a compilation of a number of essays written for The New Yorker. The book's chapters are loosely chronological and based on a particular subject such as strikes, Christmas, sports, culture shock, world cup football (or soccer), food, famous chefs, and famous places to eat. All of these topics, presumably, were important to Gopnik and his New Yorker reading audience.

If you are the type of person person who likes to read The New Yorker, likes Paris, or read glowing book reviews/essays in The New York Times, San Francisco Chronicle or Chicago Sun-Times, then you'll probably enjoy this book. You'll probably empathize with the wealthy white guy problems Gopnik encounters when he moves to a predominantly white country where he speaks the local language and has to deal with the daily struggles of finding the authentic Parisian cafe or bistro. Sure, this is a well written book that nicely deals with Gopnik's wealthy white guy problems, but that is the problem: the book is too much about Gopnik and his culture shock. According to Gopnik, Paris is different to New York. Who would have thought it! Big deal! I'm not surprised. I bet New York is different too. Some of us haven't been there either. The flaw with this book is that Gopnik is the focus of the book. We read of how Paris affects him and his family. This super-narcissism detracts from the book. We readers would have been better served if Gopnik wrote more about Paris and France while he and his feelings melted into the background. If you are a New Yorker who likes reading books about Paris, you'll probably get something out of this book, but for the rest of you, given the author's east-cost super narcissism and his preoccupation with rich white guy problems, you'll probably find better value elsewhere.

"What Should I Do With My Life,” by Po Bronson

Po Bronson, "What Should I Do With My Life,” (New York: Ballantine Books; 2003), 434 pages.

In What Should I Do With My Life, Po Bronson tells the stories of people who tried to find the answer to that question. Bronson surveyed and interviewed many people that were looking to change the direction of their life, to do something more meaningful, to do the thing they were put on this earth to do. This book contains the stories of how they worked out the answer to that question. Bronson interviewed many people, and included in this book the stories of a selection of the people he interviewed.

This book’s strength is it’s sympathetic but arms-length portrayal of people working out what to do with their life. Each story is unique. Each story portrays people from a variety of backgrounds and countries, and shows how they discovered the answer to the question of what to do with their life. Some people found the answer in front of them, some travelled, some made bold changes, some make small changes, and others had to try many different jobs and professions to find the answer. The stories in this book show that there is no one answer to this question. People looking to work out what to do with their life may find an answer, but that answer is likely to come to them in one a variety of possible ways.

Readers looking for guidance should note that the author does not give specific advice to the reader. He doesn’t provide a quick self help formula or a list of things to do. Bronson teaches or guides by example. His book’s message is that if you are looking for the answer to the question “What Should I Do With My Life,” you may benefit from this collection of stories of people that asked the same question and struggled to find an answer. You too can learn from these people and work out the answer for you, but only you can answer this question.

This book will appeal to readers looking for their life’s purpose, calling, or vocation. It doesn’t provide specific answers, but it will provoke questions. Ultimately this book teaches the reader that there may not be quick fixes, that you may stumble and search to find the answer, and that you may benefit from the example of others that have also asked this question. This selection of stories benefits readers asking the same question. If you are wondering what to do with your life, this may be the book for you.

Not Taco Bell Material by Adam Carolla

Adam Carolla, Not Taco Bell Material, (New York: Crown Publishing; 2012), 330 pages.

This autobiography tells the story of Carolla's rise from neglected child of welfare-dependant parents living in a crummy house with a dirt lawn in North Hollywood to his current status as a millionaire businessman. Carolla discusses his upbringing by framing them around the various houses and apartments he lived in, and what he got up to while living in them. He details a series of depressing residences, and the major memories of his upbringings linked to those places. With comic flare, profanity, and at times vulgarity, we see how Carolla stumbled through school ill-equipped for life. Upon graduating from high school he was barely able to read. With few options and no  guidance or  encouragement from his parents, he took up a series of menial jobs such as carpet cleaning, digging ditches, carpentry and being a boxing instructor. Always possessed with the gift of the gab, Carolla eventually worked out that he could either continue to work with his hands, or develop his ability to be funny. After much failure, persistence, and by making his own luck, Carolla broke into radio (initially for no pay) and later became a paid host of a nationally syndicated radio show. Carolla subsequently moved into developing and staring in a number of television shows, stand-up comedy, acting, movie production, as well as developing a podcasting network. From humble beginnings, Carolla has become a very successful businessman.

This book is a very funny telling of Carolla’s life. He can be crude, vulgar, funny, but most of all honest. No one in his life is spared, including his family and close friends. It is a very funny book but at the same time quite serious. He is critical of a school system that could let him graduate fro high school barely able to read. He is critical of television, movie and radio executives that have few creative skills, but world class expertise in ruining projects. It’s also a damning indictment of his parent’s hands-off parenting. Despite this, it’s inspirational because Carolla shows that despite his lousy childhood and his absent parents, that it was possible to develop and use his talents to make a success of his life. This is the real point of this book: in spite of your background, with hard work, a lot of failure, and setback, hard work and dedication and grit can bring you success.

The Devil's Guide to Hollywood by Joe Eszterhas

Joe Eszterhas, The Devil's Guide to Hollywood: The Screenwriter as God,  (New York: St. Martin's Griffin; 2006) 379 pages.

This unusual book by a successful screenwriter is part biography, part insider's guide for new players, part anecdote collection, and part critique. Eszterhas knows the movie business, and this book is his take on what Hollywood (as in the movie making business)  really like. He delivers detailed lessons on writing the script, selling the script, filming, and working with the producer, director, the studio, actors and critics. The book contains the wisdom and wit of others, and also also the sharp criticisms of Eszterhas's competitors such an William Goldman and Robert McKee. The lessons on these themes are not just his own, but also statements from many others in the business. Most of the books comprises quotes from others in the business, delivered in an entertaining and truthful way that is immensely entertaining.

This is a book for people interested in learning what the movie business is really like. If you read it, you will see that its a sewer full of all sorts of vices that at times can produce great art, and at other times, complete dross. Even Eszterhas is repelled by Hollywood, choosing to rear his children far away, in a very different part of the United States. The book's great strength is its honesty, comprehensiveness, and compilation of a wide variety of voices that have worked in Hollywood, both now and in years past. Esterhas uses and quotes profanity, and discusses subjects of an "adult nature," so reader discretion is advised.

"The Drop," by Michael Connelly

Michael Connelly, The Drop, (New York: Hachette Book Group; 2011), 483 pages.

The Drop is another book in the Harry Bosch series written by Michael Connelly. Bosch is an uncompromising Los Angeles Police Department detective of retirement age, who stays on the job because he must;. Solving murders is what he does, and he does it well. Bosch is a character with a single-minded pursuit of justice on behalf of the murder victim. He is determined and single-minded in pursuit of the murderer, often to the detriment of his family relationships, his work partner and his boss. His motto is everyone matters, or no-one matters.

Bosch is in familiar surroundings in The Drop, namely, the open unsolved or cold case unit, although with a twist. On the same day, Bosch is assigned two new cases, one open-unsolved, and another a new case. In the new case, Bosch and his work partner were chosen by the Commissioner for the new case, the murder of the son on an old Bosch nemesis now in politics. The plot involves Bosch and his partner working the case while negotiating the rocks and shoals of Los Angeles Police Department   and Los Angeles City Council politics. Bosch's second case is a cold case that became active due to a positive finding from a DNA test. A problem is revealed with the DNA test when it is positively matched to a person aged 8 years at the time of the murder. Bosch's relentless pursuit of the killer in light of this unusual DNA evidence reveals a startling and gruesome killer that had been operating in Los Angeles for more than 20 years.

Connelly displays all his writing talent in The Drop. He has a gift for the seemingly accurate and realistic portrayal of police procedure. He combines his eye for detail, knowledge of police procedure and gift for storytelling to write a fine book. This combination gives us an entertaining and fast-moving story consistent with Connelly's previous work of police mystery writing.