Showing posts with label Entertainment Industry. Show all posts
Showing posts with label Entertainment Industry. Show all posts

Not Taco Bell Material by Adam Carolla


Adam Carolla, Not Taco Bell Material, (New York: Crown Publishing; 2012), 330 pages.


This autobiography tells the story of Carolla's rise from neglected child of welfare-dependant parents living in a crummy house with a dirt lawn in North Hollywood to his current status as a millionaire businessman. Carolla discusses his upbringing by framing them around the various houses and apartments he lived in, and what he got up to while living in them. He details a series of depressing residences, and the major memories of his upbringings linked to those places. With comic flare, profanity, and at times vulgarity, we see how Carolla stumbled through school ill-equipped for life. Upon graduating from high school he was barely able to read. With few options and no  guidance or  encouragement from his parents, he took up a series of menial jobs such as carpet cleaning, digging ditches, carpentry and being a boxing instructor. Always possessed with the gift of the gab, Carolla eventually worked out that he could either continue to work with his hands, or develop his ability to be funny. After much failure, persistence, and by making his own luck, Carolla broke into radio (initially for no pay) and later became a paid host of a nationally syndicated radio show. Carolla subsequently moved into developing and staring in a number of television shows, stand-up comedy, acting, movie production, as well as developing a podcasting network. From humble beginnings, Carolla has become a very successful businessman.

This book is a very funny telling of Carolla’s life. He can be crude, vulgar, funny, but most of all honest. No one in his life is spared, including his family and close friends. It is a very funny book but at the same time quite serious. He is critical of a school system that could let him graduate fro high school barely able to read. He is critical of television, movie and radio executives that have few creative skills, but world class expertise in ruining projects. It’s also a damning indictment of his parent’s hands-off parenting. Despite this, it’s inspirational because Carolla shows that despite his lousy childhood and his absent parents, that it was possible to develop and use his talents to make a success of his life. This is the real point of this book: in spite of your background, with hard work, a lot of failure, and setback, hard work and dedication and grit can bring you success.

The Devil's Guide to Hollywood by Joe Eszterhas


Joe Eszterhas, The Devil's Guide to Hollywood: The Screenwriter as God,  (New York: St. Martin's Griffin; 2006) 379 pages.

This unusual book by a successful screenwriter is part biography, part insider's guide for new players, part anecdote collection, and part critique. Eszterhas knows the movie business, and this book is his take on what Hollywood (as in the movie making business)  really like. He delivers detailed lessons on writing the script, selling the script, filming, and working with the producer, director, the studio, actors and critics. The book contains the wisdom and wit of others, and also also the sharp criticisms of Eszterhas's competitors such an William Goldman and Robert McKee. The lessons on these themes are not just his own, but also statements from many others in the business. Most of the books comprises quotes from others in the business, delivered in an entertaining and truthful way that is immensely entertaining.

This is a book for people interested in learning what the movie business is really like. If you read it, you will see that its a sewer full of all sorts of vices that at times can produce great art, and at other times, complete dross. Even Eszterhas is repelled by Hollywood, choosing to rear his children far away, in a very different part of the United States. The book's great strength is its honesty, comprehensiveness, and compilation of a wide variety of voices that have worked in Hollywood, both now and in years past. Esterhas uses and quotes profanity, and discusses subjects of an "adult nature," so reader discretion is advised.