The Lost Continent by Bill Bryson

Bill Bryson, "The Lost Continent: Travels in Small Town America," (London: Abacus Books; 1990), 293 pages.

In the late 1908s, Bill Bryson, an England-based American writer, returned to the United States to retrace the travels taken on family vacations during his youth. The travels he took were the material for this book. Bryson wanted to visit what he called the magical places of his youth, or perhaps more accurately, the places he visited on family vacations of his youth that formed magical memories for him. Motivated by the recent passing of his father, a semi-famous baseball writer, and looming middle-age, Bryson returned to his home town, borrowed a car, and set out to see small town America. His journey was not just a retracing footsteps of old trips, it also took on a quest to find the dreamy small town of the movie of his youth, a timeless place where Bing Crosby would be the priest, Jimmy Stewart the major, Fred Macmurray the high school principal, and Henry Fonda the owner of the gas station. Bryson called this fictional town Amalgam, a mixture of the picturesque towns encountered in fiction.

Bryson traveled from Des Moines, Iowa to all corners of the lower 48 states of the United States. The book contains detailed descriptions of the places he visited, together with reflections from his childhood. Bryson writes with perception, accuracy and wit. He captures the vast contrasts in the United States, the gaps between the wealthy and the poor, the prevalence of violent crime, and America's large scale abandonment of small town "high street" commercial life in favor of large scale commerce of big box stores and shopping malls. Bryson praises the staggering physical beauty of the United States while simultaneously recoiling at the homogenization of its look alike suburban developments, gas stations, motels and fast food outlets frequented by overweight hicks wearing bad clothes.

The Lost Continent established Bryson's reputation as a humorous travel writer. At times he is a rude smart-alec that prompts deep belly laughs in reader. At times he is cruel when he makes fun of the local residents of the small towns he visits. At the time of the writing of this book, Bryson has lived outside the United States for a long time. This book shows that the America of his youth is gone; Americans' way of life and their towns and cities have changes from how he remembers them. It’s as though Bryson is a foreigner in his own country and he is disgusted with a lot of what he sees. Despite his smart-alec outrage and humorous put-downs, Bryson writes quite beautifully about the places he visits, most notably the Henry Ford Museum in Detroit, Bryce Canyon National Park in Utah, the Loretto Chapel in Santa Fe, and numerous small towns in New England and the Mid West. The book also contains many historical fact that enable Bryson to provide a back story to the places he visited thereby acting as a story teller and educator for the reader. Bryson's eye for detail, love of useful facts, historical details, and good yarns are his great strength. His gift is to tell great stories about significant human achievements and follies that move and excite people. In The Lost Continent we see the potential he developed later on in more serious and scholarly books.

If this book has a weakness it’s the uneven pace. Bryson starts slowly, describing in great detail his travels on the Iowa and Illinois back roads. It’s as though he is travelling slowly, but writing a lot. By the end of the book, Bryson covers great distances with less detail. As times it appears as though he is racing across the western states as though he is on a deadline to traverse these great distances in a short period of time and in as few pages as possible so he can flop over the finish line in time for his return flight to England. The pace is that of a sprinter compared to the leisurely stroll at the start of the book. If you can get past this minor blemish, Bryson's "culture shock" and humorous self-obsession with how America has changed, you should enjoy this book for its moments of serious reflection and first-rate story telling about things that both tarnish and make America great. These alone are worth the purchase price of this book.